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Experimentation is a constant:
By becoming present, in the moment, while painting and without imposing preconceived concepts onto the canvas, I try to be open to the "happy accidents" that occur while painting.
The work, then, becomes about making art and how materials interact; it's an ode to the artistic process itself.
(Paraphrased from an article by Deborah Vankin (LA Times) about (the late) Ed Moses, one of my favorite painters.